德國留聲機唱片公司（DG，Deutsche Grammophon）最近正在慶祝他們創立的120週年，除了一系列的活動之外，還特別推出了121CD+1BD的120週年紀念套裝，還製作了開箱影片，我們就先來看一看影片。
7 F8 x& q/ P) A9 y7 n$ m( L* f9 B* Q: e# M/ D1 r
DG120 - The Anniversary Edition - Official Unboxing Video, Z( Z( w( n; b! d
: W# o4 o2 z3 ^3 R8 T
' n% |' c, u, ~4 C
3 C9 ~7 D* T* Z% l$ D首先看到的是一本厚達220頁的專書，除了介紹DG的歷史之外，裡面還有12篇搭配CD的專文，分別是管弦樂（27張CD）、協奏曲（22張CD）、鋼琴獨奏（17張CD）、室內樂（11張CD）、歌劇（11張CD）、宗教音樂（5張CD）、藝術歌曲（8張CD）、ARCHIV出版品（6張CD）、POLYDOR出版品（3張CD）、前衛音樂（4張CD）、新古典（3張CD）、口語（3張CD）等，專書內還有許多珍貴照片。
8 ~9 \# _' p. U' b; q8 T
& X0 N5 g8 Z, P所有專輯皆採用原始封面設計之紙盒包裝，令人驚喜的是追加收錄一張未來發行的選曲CD「The years to come」與一張Blu-ray Audio，收錄的是卡拉揚指揮的華格納「指環」全曲。Bonus Content還有六張DG經典的唱片封面明信片與五張歷史文件的印刷品。
& v+ o; ~1 X- N
6 @& ~9 @; G$ a. H) v5 e對古典樂迷來說，可能會發現這盒套裝中大部份的CD都已經有了，不過還是有許多張CD是首度全球發行，加上DG目前正在進行的蟲膠數位化計畫（The Shellac Project），有部份也收錄在此一紀念套裝中，加上精美製作的專書，多少還是有收藏價值。
/ ]) s' d) p- U# d8 l+ j) c6 x
( f c( R, j4 W8 ^! H* H7 v) ?, j* Z
( [$ E& @8 {' W2 p) c( W- @; f7 p- k* K6 g/ e' r: e% n
1898年六月，DG公司由留聲機圓形唱盤的發行人艾彌爾貝林納（Emile Berliner）與其弟約瑟夫在漢諾威創立。當時聲音的紀錄以愛迪生所發明的圓筒留聲機為主要方式，貝林納兄弟發明的圓盤唱片留聲機比起笨重的圓筒式在操作上更為方便及輕巧，短短不到二年時間，1900年貝林納的圓盤唱片留聲機的銷售量便超過了圓筒式留聲機，取得了商業上的巨大成功。
^$ z* ^8 e$ [* u3 U/ w: T
1 a. @) l0 a+ w0 I, z% Q1910年，DG推出最早的管弦樂唱片，巴克豪斯演奏的「葛利格鋼琴協奏曲」開頭片段，直到1929年艾彌爾過世時，DG的唱片年產量便已達到近千萬張。
% g9 T: h; i, N% l/ o+ j$ o
9 x% M1 a( V3 W' P3 d6 V
v$ D2 d0 N" s4 L' h
* |+ z1 D4 D# ^$ d4 ]1 y自創立以來，DG一直就是使用最新錄音科技的先驅者，1962年卡拉揚推出第一套立體聲貝多芬交響曲全集、1979年發行第一張數位唱片（克萊曼演奏「柴可夫斯基小提琴協奏曲」)，多年下來，數位音樂的發展早已超越我們所熟悉的傳統播放方式，DG近年也積極推廣線上下載與串流等新型態聆聽方式，持續不斷的推廣古典音樂。
0 l) H: @( T3 l- L) u- r- z" e& O
% |0 W2 E' p% U6 v6 N+ ]! b
這次DG慶祝120週年的活動網頁上也提供Google Play、Spotify、Apple Music、Deezer等多家串流媒體的播放清單（Playlist），讓「黃標」傳奇繼續發光發熱。
) v! ?4 E& M; Y, O% }/ ?7 ~( Y* c$ c9 a7 H! H
DG120週年紀念網頁：https://dg120.info/
5 i) h7 J' i* O3 y9 N7 Q! m. l6 N8 i8 h2 q; M" r. J/ {7 D3 W
2 N/ |; n* S. ^& U( {3 v
: D9 E" k, P4 h' C+ w
% u( T* B2 @; p% b$ F
4 y$ ]* `- N+ |# z
DG 120所收錄之CD曲目：8 c$ \6 l, r. R( y: B- s
CD 1
% s; n6 g% |/ N g0 X. k' h# F+ ~
Early Orchestral Recordings I
7 M* E" N. L0 L$ m# R- Arthur Nikisch / Alfred Hertz
$ G5 o: `& \& o) L5 ^2 j% \3 u8 k* h! u6 n+ d; G9 h: B
CD 2
* ^% O0 L9 c+ e' P
Early Orchestral Recordings II
! j d% J* X N u, u- Erich Kleiber, Otto Klemperer, Richard Strauss, Bruno Walter
# G% K k( i2 h4 Y l
. J, {: T! s/ P& q5 zCD 3
8 r+ k: b% |3 B: Z+ g7 \9 _Early Orchestral Recordings III
% u6 d( f: U1 n2 u+ w% O; }' [0 b
- Wilhelm Furtwängler, Victor de Sabata, Jascha Horenstein, Alois Melichar, Hans Pfitzner
$ G+ A3 p9 U0 j/ g6 [% i, l/ |# s; d* h X' T- d
CD 4
4 N3 f9 i$ y" S% O
Early Orchestral Recordings IV
4 J$ L6 w/ S% U/ w- F# \/ a- Max Fiedler, Hidemaro Konoye, Herbert von Karajan, R Strauss, Paul van Kempen
$ S1 Q5 e* }: o$ R Z& {4 b ? e
+ Q+ B. Y$ |3 J
CD 5
& h3 q0 P5 c; [# k; TSchubert - Symphony no.9
: p5 D, F i, n# p' S8 _) vHaydn - Symphony no.88
% `3 b5 T) U! ]% L. S( {
- Furtwängler
5 U: M8 _6 L* R/ G
1 q# V& o7 D( W. L% oCD 6
5 r. @; k# Z2 X9 w1 [, m) }# ~Bruckner - Symphony no.9
% R$ [& e7 a' ^& K
- Eugen Jochum
o/ }/ D. P! D4 K0 `& e% t' z, H- e3 P7 r/ g
CD 7
. k( G: C$ {7 `- f
Dvořák - Symphony no.9
3 d/ m0 }/ ~8 o; nSmetana - Vltava
$ m# I& ^+ t, T# p* Z" WLiszt - Les Préludes
8 X0 S% N9 j* ` { N5 h0 d
- Ferenc Fricsay
/ D0 B; n7 d: u8 ?
7 z: B6 ^5 q, N; u
CD 8
3 L& P3 w2 B3 e! d7 t! \. bTchaikovsky - Symphony no.6 “Pathétique”
! R$ S b/ U6 h7 y8 h2 O. r
- Evgeny Mravinsky
6 y, s1 ?2 ]$ ^
' f0 j; T8 _' {CD 9
+ |4 o3 c# p/ k
Mozart - Symphonies nos. 39-41
2 c* ?4 T9 L7 Z0 _( N$ A% L, \. e
- Karl Böhm
' S6 i8 }6 w7 x) H
) ^ C& L$ B, v2 S* W( j6 E
CD 10
7 j1 S; x+ j1 O' V4 q: L& s9 x
Berlioz - Symphonie fantastique
) a0 N: v$ G+ }5 ~5 }Cherubini - Anacréon Overture
4 L D: P" j# |+ w
- Igor Markevich
' p9 y9 g1 Q# }: _# x$ R4 K8 g4 \# Z1 e1 N
CD 11
, G4 M2 q9 Z4 D7 f6 Q
Beethoven - Symphony no.9, Coriolan Overture
/ z6 ?7 W( n: [! @4 M, o
- Karajan
& t* J3 z3 h+ G1 a
: l6 v7 Z" [( C$ hCD 12
$ Q" b/ V3 F- W$ f; C
Mahler - Symphony no.1, Lieder eines fahrenden Gesellen
, ]% @, ]% z, T$ k. c4 E& ~- Rafael Kubelík
/ o' Q' V( S9 N
4 K" W5 C3 t2 v" I9 Y* pCD 13
2 Q- A7 m- W8 Z* ~9 w% E
Holst - The Planets
c: Q; g6 Y' [$ U2 H# `R Strauss - Also sprach Zarathustra
. S% Q6 O3 p( R" J
- William Steinberg
6 `$ K- }; i7 d& D% O7 ~
& i7 P0 |$ ^6 B S+ F1 V& {
CD 14
9 D! q$ `9 f9 F0 SBeethoven - Symphonies nos. 5 & 7
1 Z4 U# N! Y2 n% F* u
- Carlos Kleiber
5 Q% n6 U, ^' X4 p* N% N- c
7 T c( D/ V( U* o6 W4 S% y
CD 15
- r( B: D) F$ H: t) V" T; z" w5 a: U
Saint-Saëns - Symphony no.3 "Organ Symphony"
' B( |9 o& B/ r `- Daniel Barenboim
8 z7 K8 c: g- y* s, M) w
, B; ]& C+ p2 L/ n9 y/ ?CD 16
* `1 M5 ~6 q/ W4 g8 C4 pDebussy - La Mer
$ C$ B+ T1 H" Y6 f Q# ~, iRavel - Ma mère l'Oye, Rapsodie espagnole
- H3 O2 M# R M8 W: ~- Carlo Maria Giulini
+ d( N7 E; ~9 X6 [2 y) M1 T5 \
, U6 ?1 V, I9 z& g7 a/ n: h n# A% uCD 17
! u, z! H/ d0 Q, T5 S7 ^
R Strauss - Eine Alpensinfonie
# J' v9 K3 ~+ B, W( k; [- Karajan
! B; X( R# y; e$ u" M
6 [" y8 H3 |1 t& iCD 18
1 M+ [# B3 }/ q- A
Mahler - Symphony no.5
) ^% o& B8 f3 `0 N8 `! A; }
- Leonard Bernstein
( a% ~# R% _# B' M& f. T
2 Z/ B: u- l/ k. P; }* M! S% tCD 19
& n. a( u I/ N6 G% ]
Copland - Appalachian Spring
8 ]! y" S6 g7 y" N( k" a
- Orpheus Chamber Orchestra
/ f. U9 B- I1 F9 }9 N0 P
D& ?* F: ]8 R. c
CD 20
R6 w! e( G/ l1 }1 E
Messiaen - Turangalîla-Symphonie
" H5 l1 U7 l5 U- X0 Z5 O9 @( M3 W K" G
- Myung-whun Chung
/ ^" B+ u* W- w* o
# t' U3 ^% X# j/ J! b
CD 21
/ g! B! ?* }& ?
Stravinsky - Le Sacre du printemps, Pétrouchka
# `$ f. }8 ?7 Y- Pierre Boulez
) E/ j2 a8 E" ?, X& R6 y0 a9 I4 ]* G8 S% H. z
CD 22
I. F. a0 _4 ~( c9 Z) r: e( f
Franck - Symphony in D minor
9 _. ?, H! p( I+ r1 g# Y3 Q& TPoulenc - Organ Concerto
$ Z" z4 i$ y2 w0 ^1 I
- Seiji Ozawa
3 z- k. v2 t" s7 h+ z$ E1 E, W
: j$ `2 j- p' p8 R/ P1 [' E e: GCD 23
+ W4 t) {1 U; u: e/ Q
Wagner - Orchestral Music
8 S' ?8 m" Z- y }0 d( @- Claudio Abbado
- G, o* {" w, }# D( B7 Q, B( l1 E5 ]! X/ J" Q$ X( ~' `0 q7 i
CD 24
, D/ A' P. D# k# F6 [German Overtures
' j4 q4 ?( r8 L) K& A* g3 l. F' I
- Christian Thielemann
& a7 D- v& ~. b
1 |; o# E5 O S. X8 H$ H
CD 25
, l/ t V [0 [, Y
Mussorgsky - Pictures at an Exhibition
. u2 V( C; D3 Q
- Gustavo Dudamel
]3 `3 m/ i/ S" i6 _. R& n
% y/ F! s* n9 U) Z" ?$ L; Y- h* n
CD 26
3 z3 h9 w) i- C' }, J1 I9 ~: a# uMendelssohn - Symphonies nos. 4 & 5
, j3 o0 k6 Y7 `" e" S8 s9 U% c- Yannick Nézet-Séguin
/ ^8 a. [6 t# g; T% G4 |, j! S1 D: u4 F, h% J2 ~
CD 27
+ E# q4 e: [/ ZBruckner - Symphony no.4 “Romantic”
$ m& a9 g9 ]# i. b6 i% H4 r5 K/ I( t0 L- Andris Nelsons
8 a& A7 w- m& K5 A7 E
8 p2 p" j0 M7 v% D% }5 g8 sCD 28
! N+ l2 P6 n; V8 S
Early Concerto Recordings
6 e) w% x0 L9 g/ M; P# N- t$ A
& b0 K" u1 I A$ L, U6 X2 w; [CD 29
* v! j) T9 R+ r. s+ IRachmaninov - Piano Concerto no.2
# Z, s- s6 U; J" o& N; lTchaikovsky - Piano Concerto no.1
8 J1 k# [" I2 y% y+ h4 M
- Sviatoslav Richter
0 d, U. C E+ ~$ k. N. Z: n9 B
CD 30
* [) S! {/ O5 r/ O7 D \( JSaint-Saëns - Cello Concerto no.1
" L1 o& K& [9 q/ z' f/ j
Lalo - Cello Concerto in D minor
4 I1 A% X% W5 k* O- \; g- Pierre Fournier
; ~9 J/ ]1 e9 J+ L) g3 ]4 h/ f# h) h1 C2 o$ c+ u
CD 31
& L1 r! O& ~3 ^% S/ i# zBach - Violin Concertos
" n' a3 S2 h7 x* IBeethoven - Romances
$ t" _' X l* | D' V2 N
- David Oistrakh
1 w# U1 M$ o& ~" ]3 ~) b7 l6 L1 ]* }: z+ @' ]
CD 32
, i* U# U1 ~$ Y1 m/ M1 xMozart - Violin Concertos nos. 1 & 2
, O. R! Y5 X1 t# W/ ?: I
- Wolfgang Schneiderhan
. D* k7 Y2 [7 y2 M% D, s+ Z$ }
8 J/ ~/ Y/ Y; d5 m7 T- xCD 33
9 l1 c! x" W0 M/ ?1 i! X
Tchaikovsky - Violin Concerto in D major
1 ]9 y5 `. B. S. ?Mendelssohn - Violin Concerto in E minor
8 n& [% v$ z/ ^6 @+ u- C
- Nathan Milstein
& }1 p+ _! _1 |# s, p5 \+ ^) b' U
3 m7 U) ]8 U+ m I
CD 34
6 t4 n* d) r: b% T xMozart - Piano Concertos nos. 20 & 21
$ i8 g' j! _% @) j- Friedrich Gulda
, T1 Y& C+ \& ~. v7 ?
! d2 X% n$ n4 m. HCD 35
$ U: G: V! @$ u& a) mBoccherini, Tartini, Vivaldi - Cello Concertos
7 T! f' o) c: a+ m
- Mstislav Rostropovich
- d. D) h8 s& r8 X# H
5 T. D# l' C5 m( N, V
CD 36
0 M; ~* w Q3 h" X+ i
Beethoven - Piano Concertos nos. 1 & 3
* E5 l: v0 _% J$ H, g- Arturo Benedetti Michelangeli
5 N& U& M4 b h
. Q0 k5 M Q5 |6 |
CD 37
; u) `$ X. o X0 Q( K# NBrahms - Piano Concerto no.1
: u. ^* B6 a' b+ N8 U- Maurizio Pollini / Karl Böhm
7 i9 V# C, @3 B: X5 e
6 D$ S- H. J& d
CD 38
% C0 C/ |9 `' B
Dvořák - Cello Concerto in B minor
; i. V4 a8 j2 Z- gSchumann - Cello Concerto in A minor
8 Q2 l2 R$ q8 f" S- Mischa Maisky
/ ^1 v( b6 ^8 \# D, _% ]! J2 |
& }" p9 t% r9 K3 ^; }
CD 39
" J0 \7 @; c0 n5 {& k% m
Liszt - Piano Concertos nos. 1 & 2, Totentanz
* r# r! \3 h9 x6 e% i9 T: R6 w3 F
- Krystian Zimerman
/ Y( c( u! ]- [) N
$ p/ F2 _. C4 p# zCD 40
9 \# e) u& m6 L3 ~$ g$ JMozart - Clarinet Concerto in A major, K622
1 h v* V/ E; F# Z- Charles Neidich
" C' h8 s4 ]( _- H7 j
# b* b9 a1 @6 t x4 aCD 41
9 T! Z0 t0 a$ C. S
Prokofiev - Piano Concertos nos. 1 & 3
, c: d( Q9 N8 v- Kissin
" ?+ |2 }: j6 Q6 [! u1 r$ z0 g# r0 j! N& b* ^7 S* q, d
CD 42
2 F& M' X _! B; @" X1 K
Shostakovich - Piano Concerto no.1, op.35
& [4 Q6 ]* U. b4 l7 @% o0 |Haydn - Piano Concerto in D major, Hob. XVIII/11
4 N# ]3 C& [5 t+ ~1 }
- Martha Argerich
& R# f3 ~/ p" m
" R+ r" |4 i1 h4 H( x' O9 n6 }( g$ PCD 43
) b/ C0 T! G0 N" k" Q% ]Brahms - Violin Concerto in D major
: g; `, W9 h6 D1 z- w
Schumann - Fantasy for Violin: fourth movement
6 [3 e8 e2 H: y8 }
- Anne-Sophie Mutter
+ | K# F" o. F2 D* d1 \5 U8 E/ i4 h; t/ P( a. ~; u' p- ]
CD 44
9 k1 t, e. t7 WBeethoven - Chorfantasie
: X4 I& q( V5 L0 z& w; k
Pärt - Credo
9 C: E$ o1 }2 e& T, ?Corigliano - Fantasia on an Ostinato
0 M& G) Q0 f0 U. Y4 L( s- Hélène Grimaud
6 ?0 l* z9 n) ~0 c I C% h% ]$ s. y s( s
CD 45 “Echoes of time”
. ~' m- W5 a0 L7 h5 ]
Shostakovich - Violin Concerto no.1
1 H1 a1 h* @' I6 o9 x* M' t, ]Pärt - Spiegel im Spiegel
9 |; v1 v; x/ t( ?! [1 A- Lisa Batiashvili, HélèneGrimaud
# y, t5 H. ?. v% Z( O0 ~
& h+ M1 w8 }3 f: `CD 46
B" b5 h4 Q; O/ z( ~Rachmaninov - Piano Concerto no.3
7 u, { v4 E# v, A* Q5 Q$ O1 _( yProkofiev - Piano Concerto no.2
# Z' R2 K2 a/ ]) T7 f- Yuja Wang
5 B ~1 \8 |7 y7 r) |- Q# Y7 N. O) |5 \5 z' a; E& X0 s$ p$ ~: k
CD 47
5 n* |6 o+ t* C& G6 bVieuxtemps - Violin Concerto no.4
! B, r9 k0 ?9 G: ^5 IMozart - Violin Concerto no.5
* X! m+ L( l- R8 y- Hilary Hahn
: `( z3 A# D+ B6 b
) N! A3 {5 ~* i8 ECD 48
. ~' Y: U7 f6 n6 BLost and Found (Concertos)
" P8 g4 [8 m" P* W% K
- Albrecht Mayer
! e' i, g) U9 }9 d2 M
& f" b, A, Y6 P: y8 L# T, g) K" UCD 49
: ~' v6 x, z: c2 XChopin - Piano Sonata no.1, Ballades
, u: u3 i" N; w3 Z- Seong-Jin Cho
" S9 }) L( e/ V6 i! d2 d
J- u7 A! X9 R1 h ^ N. @; T* q% Z- R1 OCD 50
* ^% K2 V9 s: b5 D% U# q' C
Early Solo Piano Recordings
% t) _2 M8 f3 V0 d% ~+ h+ v
: z; G# a5 H) {3 ~, eCD 51
; h# K+ Z! C8 M: D5 Q h" A
Ravel, Bartók
3 G, q7 m/ D4 s- W; L! o5 X+ O0 P- Monique Haas
6 A) t# S5 J' k3 C* z" I: i
! R$ |: M R! T6 l8 W8 uCD 52
8 s, r$ d- B0 T0 Y% j0 {2 {; lBeethoven - Piano Sonatas: Pathétique, Moonlight, Appassionata, Op.110
4 F& \7 Q+ V! Y4 q1 v7 a+ i2 `
- Elly Ney
' T# a6 Q) @5 X, D1 F0 ?5 F0 U' ]- _$ F3 `
CD 53
" o! g# r4 T: Q" c
Schubert - Moments musicaux D780, Impromptus D899 & D935
6 \# X* O7 l- s# T
- Wilhelm Kempff
$ c& U3 q' F" X% y& L
+ s2 m: |( D8 `! }& O4 v: c8 iCD 54
( d8 M( o& U4 A' E, d7 [
Debussy - Images 1 & 2
+ I5 _ W# `5 ~2 ]* r/ X- Michelangeli
& A+ Z8 K0 i, O. `
" Q T' O" i+ {1 v
CD 55
; D7 I( n5 F/ u* t; k0 C% Q/ iStravinsky, Prokofiev, Webern
0 g) n2 u, o) x, U) I3 h- Pollini
J" m% S4 a( L' _1 s! k1 G
7 k B. m0 t5 Y0 B. b, UCD 56
" O0 F1 q' V: ]: i+ j1 [/ dBeethoven - Piano Sonatas: Tempest, Waldstein, Les Adieux
& ]4 e$ A9 I! p; Y! t
- Emil Gilels
. T8 H4 `/ Y' `+ N% B: z
" l! y1 v6 }% X- g3 h
CD 57
( z0 D7 a; ]9 t9 K$ L) m5 X
Brahms - Variations and Fugue on a Theme by Handel
! N* Q) {* D% S; g- s9 J2 `
- Barenboim
/ U2 \$ z9 z% ]) E/ e6 T2 H4 O
; Q1 k5 P' ]; ]# @" B1 }CD 58
6 Q2 U9 p3 z% y1 R0 L2 F. K2 N8 N
Brahms - Ungarische Tänze, Waltzes op.39
0 ]1 [- |+ o3 X. g
- Aloys & Alfons Kontarsky
. G0 _9 G! S- s4 Z
9 L+ V6 A+ d% I
CD 59
: H0 l4 k3 O% Z# c6 u5 N
Chopin - Piano Sonatas nos. 2 & 3, Scherzo in C sharp minor
+ @( i4 I! ~$ I9 h: {2 ]# e7 a* K, c
- Martha Argerich
: t8 G" e" Q- } P
3 Z9 x$ }+ S: ?" S+ }
CD 60
6 E8 O: j# @) g
Ravel, Prokofiev
! A5 _# \# Z% P- Ivo Pogorelich
' p0 v$ O, Y4 g, R @: ]
# I- g0 c, N) B. iCD 61 “Horowitz the Poet”
4 F0 A; k: N% S$ U6 N, b" e/ z% P* e
Schumann, Schubert
& ~" q$ u! i3 ]" O4 U; k) R, s0 U, {+ a- Vladimir Horowitz
: j) P4 I+ v( ]% l
. I; f i, H" p4 C& T2 @CD 62
+ G; c% e/ H3 p1 G7 z
Mozart - C minor Fantasia, Piano Sonatas K331 & K457
8 N( h' z: _( k+ [, m
- Maria João Pires
- U* f4 i+ T1 d, \4 f3 k5 v
: \$ d" n @4 j, p2 E0 H( v" e; j$ @CD 63
4 M( R! O: `& n, zCarnegie Hall Recital
1 `6 a5 f$ _5 C# N8 s- Lang Lang
& P; E1 C# J O2 \) j0 p
. K' x0 e+ C- i; eCD 64
* q T( h7 Z, }; j4 Q
Carnegie Hall Recital
5 D" V7 H# J' s* S0 c5 ~. ?" f- Daniil Trifonov
) ?( ]4 y, x% A8 _7 j! ^
& T1 O+ p# d% S& }: ?' oCD 65
( x" |4 Q `' T$ Z& a
Bach - French Suites BWV812-814
' J9 j a6 G; F2 W. o) M- Murray Perahia
5 j& P: }8 p# i9 f+ C+ I2 m4 l0 F/ I7 j( }
CD 66
. b5 q3 u3 F) i8 J+ aSchubert - Impromptus D899, Klavierstücke D946
7 Y7 p( F$ \( I; _7 j: m( Y- Grigory Sokolov
}' `+ Q& E4 g+ [) P
; k E: b n. O" [" k% KCD 67
! M6 X+ s3 K" B3 q9 JEarly Chamber Music Recordings
9 D! d9 y2 ^+ o# b
+ H. \1 t$ p% kCD 68
: k( A3 i& P2 i3 ~3 ]) S
Schubert - Der Tod und das Mädchen, Forellenquintett
; o8 c: n2 w# T- R9 I( d6 l- Koeckert Quartet
" F: Y. T1 X, W4 P. B
% S8 Z+ o6 ]0 q# z4 S6 D( HCD 69
, u+ h$ D3 ~2 m
Haydn - “Emperor” Quartet
' ~# ]& z0 d& N4 R
Mozart - “Hunt” Quartet
' A3 i H: L% K8 O$ b. k% m. S- Amadeus Quartet
3 Q4 ~5 j) S8 } P
9 y+ | k+ _" s' g8 p
CD 70
$ F$ ^* _3 ^4 X/ d+ n/ JMozart, Debussy, Ibert, Berio
) Q, w9 T7 `: B
- Aurèle Nicolet
5 [6 [, t Y7 I& Z, g0 \6 W ]7 o
/ P' V4 u: T. SCD 71
) M0 @7 x% y6 G: B4 y$ `/ Y" aBrahms - String Quartets nos. 1 & 3
* j) J# j M7 B9 O& c# y3 D; z3 GHaydn - String Quartet op.76 no.4 (unreleased)
2 o0 `: Y* L+ W# J! t3 N- Melos Quartet
1 {0 O! G$ Y# `# x3 A# {
( q% W; K9 k! V, r4 X6 X& ^# X
CD 72
* d6 {5 W" W! ?7 P' V$ ?, [Schoenberg - Verklärte Nacht, Streichtrio
. S) U& G; f) [' T. w; F- LaSalle Quartet
v: o9 b. J! Y `3 n' _& t/ q3 z
z+ a/ a# O3 Q8 T0 Z7 @
CD 73
8 E( V' l) U; U; c+ @) w2 v# `5 t
Debussy, Ravel, Webern - String Quartets
* I. A& W# [4 b# e/ ~; [
- Hagen Quartet
( t" V Q! Q2 ~# H& b' o. l* u
5 ]) P3 h6 ?5 i3 `( G) Z
CD 74
# O. @0 @" E& |: i% nBeethoven - Rasumovsky Quartet no.3, Harp Quartet, Quartetto Serioso
; J) B3 o9 e6 {- q6 p
- Emerson Quartet
6 q6 \: Z/ l Y9 K. j
0 ~, D- S% S3 KCD 75
1 @. q/ N& V3 W. f# P
Brahms - Piano Quartet no.1
# ~& R9 x+ Q" U' @1 uSchumann - Fantasiestücke
, O7 U! K( J0 y6 ]8 ^8 B: O- Maisky, Argerich, Kremer, Bashmet
+ B# A K. v" K
& j. J T- Q- E% w$ R! F! ]
CD 76
8 }- p9 K# \. s U6 Z$ V
Mozart - Piano Trios
1 g0 C0 @; h8 p' x u- Mutter, Previn, Müller-Schott
- n) [8 M0 G% y: j0 S* w. B
: ^$ ? J$ n: T
CD 77
0 i; I" p' d4 g& G; p+ D8 \5 A
Mendelssohn - Octet, Violin Concerto
6 D4 U4 ~- \( U) y6 {
- Daniel Hope
" D9 h$ U* |# Q4 v* y {
% c3 Q- } C7 {3 U! g& sCD 78
0 S J# S9 v! N; T: X& \Early Italian Opera Recordings
. _/ y! _$ ]) B0 i" H
# D( L% f# Q7 ~( \/ c
CD 79
2 Z/ w* M; c. M( R$ X, |' S3 B
Early German Opera Recordings
( Y/ {* @9 U% g! q0 W
3 ?1 ]8 ?( I& d: g7 |3 jCD 80
; Y. r' F- ]1 E( T1 }" {2 RWeber - Der Freischütz (abridged)
) W# `8 J- h% f' a) V- Robert Heger
' e* O2 s. T0 G k& g
: J4 i9 q6 Z; Z6 qCD 81
' D) \( z% }1 @5 ?# |* s L
Rita Streich sings Opera Arias
* @3 p( H+ Q$ T$ u7 X9 y2 v
! f3 }! `, n) M; g
CD 82-83
2 j5 z1 c1 x5 |7 a: c* B" Q
Verdi - La traviata
8 C+ _, ^1 o0 _8 t
- C. Kleiber
M+ ^1 y2 b1 P8 ?5 T+ p7 d
9 {# j, y4 k9 T) N+ ^/ y, bCD 85
4 A/ w7 }7 F# y+ T5 [
Opera Gala
% U) G! F3 K/ Y$ s- U7 d/ a5 C; p
- Plácido Domingo
3 C5 F* W, A/ Z5 {$ U% l- Y' b, Q
+ z' X/ c* f9 Z* N; A, X
CD 85
7 S% D3 j$ j8 i, U7 \ S1 y
Wagner
/ B4 L# e5 a8 N- Bryn Terfel
8 M) H' M7 S8 b
/ h& @6 W9 b0 Y8 O9 WCD 86
- z. I# [5 z6 w) v# U% @ _Mozart - Opera Arias
- f3 O/ e4 E1 J) h- Magdalena Kožená, Simon Rattle
+ S- O$ B/ n% w4 Q0 y0 v8 ?
# F3 @, o2 ]( YCD 87
7 U- t$ T' X3 m
Duets
/ g/ @0 W! s$ c1 b# ^- _8 I
- Anna Netrebko, Rolando Villazón
. Z3 T; j. K7 c* I: {& w+ J6 B' T6 ~4 k( n2 z# E
CD 88
+ }9 q L4 ^' o- U5 R( `
Bel canto
! M$ w, s6 W$ d* a6 Y0 J
- Elīna Garanča
! P# M, W3 W; M" u8 D+ \! w6 X2 q
CD 89-90
( ~2 ~7 B2 \" U' |5 h9 sHaydn - Die Schöpfung
$ p" L2 v, d1 V/ D- Karajan
4 ~: L# e" }4 |) J
% }& T4 O/ T7 f1 OCD 91
$ J+ y' g# J9 l. M0 i' W
Mozart - Requiem
; K. h+ b/ ]; N0 V) _
- Böhm
4 y9 x, c) T8 L* o
$ w' N5 q) v0 w: I6 D1 h- i5 ZCD 92
4 i6 Q# j# C$ j7 W: `Bach - Magnificat, Cantata BWV 140
: W$ M" \* b) J G& r5 J
- Karl Richter
$ j7 r3 Y: z" m: m- `
3 L; k! e2 c+ |) b# lCD 93
8 f% \. c5 |+ A+ G5 N/ ~
Biber - Missa Salisburgensis
4 }& L+ v" `* B+ W
- Paul McCreesh & Reinhard Goebel
/ g" h2 [ ]: M* m: c8 c+ M; n, E' q& e. {: R, S. t+ m
CD 94
5 b: K" i k1 q6 m0 Q" P9 k/ k/ BEarly Lied Recordings I
- Q' p6 q) Q1 z! j% p" U6 O
/ E; i# E5 O O) NCD 95
# m/ Q& w3 n% ~ zEarly Lied Recordings II
) p4 u1 S. Z4 j, [6 u
( v( f. ?7 [& K8 h) ^CD 96
+ i4 Q. r" O& PSchubert - Winterreise
" D7 j5 c+ m3 J# q2 ^" v
- Peter Anders
+ J1 Z6 I2 Q9 V( T" j9 a/ S& z: g
( r8 Q+ Q) v. b) F+ ?# ^( wCD 97
6 h8 @( K; M2 T) a8 a+ ^
Schumann - Dichterliebe
; A0 k, n1 h8 T
- Fritz Wunderlich
- \: s, X- L& w8 q
& v8 V% N- H, E4 D
CD 98
. n/ i ]! N3 Z! A* }. k/ g
Schumann - Liederkreis
7 v% p( v" I) `6 @% h
Wolf - Italienisches Liederbuch, Mignon
7 U+ o! L% p7 @6 d% a- Christa Ludwig
' }2 D. K9 v7 s" {; }2 ~) l6 {
. K- _3 O& M, U- Z3 v
CD 99
+ _( f) b( K5 }5 W% F8 P; f- p
Schubert - Lieder
+ d- h9 G8 b! f
- Dietrich Fischer-Dieskau
2 {- b S9 h$ w: _& ?) a" v
& V4 v4 f. ]; ?
CD 100
" {" z' b- d$ q) P# zBrahms - Lieder
% z# D& ] W8 O, z7 n0 b0 L- Jessye Norman
4 t2 c& i) u+ j! G' {7 O& v7 l
% e9 Q0 e0 [( e9 ~CD 101
# X' R G. e* u6 Q
Chaminade - Mots d’amour
" m8 _" b4 Q& ]7 E9 |/ E4 S8 F6 i
- Anne Sofie von Otter
" L' L3 L( [& n+ p% c+ o5 \6 ^4 `! L1 S- x1 a$ A! Y% {& ]# P2 K+ T0 [
CD 102
/ W8 x7 j( y* c3 d: f! a7 UBach - Schübler Chorales, Organ Sonata no.1 BWV 525
, V! f- a0 S& Z- Helmut Walcha
" t4 e' I& o) {4 P
/ x* U. o2 x7 ?( n% n1 H t/ `CD 103
$ T6 r) e5 d K# J( B1 _Handel - Utrecht Te Deum, Zadok the Priest
9 \2 G$ c+ g) w* \9 {: y- C
- Geraint Jones
9 ^) E$ P+ v( G1 L$ M) i7 q
- D9 i+ ~: A/ \6 p5 ZCD 104
- p4 D, f& f. a9 e7 ~
Music of the Gothic Era
, v" H, W" ^1 B3 q/ N- }9 x
- David Munrow, Early Music Consort of London
5 e* j5 |9 F# W! g7 D
! G$ L, w2 t6 [( G7 W, p; c: BCD 105
4 `" H+ Y, ~- }4 @2 yVivaldi - Four Seasons
) o$ ~. ]- _8 F0 W% O- Simon Standage, Trevor Pinnock
$ B K: y+ S3 X& `# r
J& A) r2 J* | y+ M3 ?5 ~
CD 106
2 o3 u7 }. h5 t# j) fBach - Ascension Cantatas BWV 11, 34, 43, 128
0 ^7 C H( f @# l+ z: W- John Eliot Gardiner
' Y, s9 j. D( {2 b |2 {2 c$ e1 {1 {# r6 @
CD 107
, e% q/ ^$ W6 ~5 h1 R3 {/ |
Concerto italiano
/ Q; d7 F9 X$ W
- Giuliano Carmignola
3 q6 c9 ]0 k: L5 @) J% b) _ |+ l2 p* r* c+ r$ S7 d% E
CD 108
- d# j' X! w0 W" Y( P/ C. P U X+ J
Early Light Music Recordings
2 t! z9 W/ h" P3 H4 D
- Rudi Schuricke, Walzer Solisten
+ |0 ?0 T$ s) b' R/ S: Z$ R* I3 k7 b6 K/ R7 f) ~ L/ T
CD 109
6 S v# h, H# m6 L3 D
Majesty of the Waltz
2 Q& x: A6 V- w, ?) Q4 Z
- Franz Marszalek
& I9 \+ d3 n; H: E/ P# |
- J: a' `+ u* V3 h, s8 R
CD 110
7 v% D( _% j) G. q) a9 d
Weihnachtsalbum
4 [3 S5 T7 m# S9 k" j4 r+ V$ C
- Fritz Wunderlich
0 `1 |) u! b1 E3 u& f3 ` t) ~
0 |" _. J; A4 e9 g) d
CD 111
8 ^: t" ^+ L# ^4 F
Kagel - 1898, Music for Renaissance Instruments
% v& i) M+ P/ N
. k' e1 m$ t( I
CD 112
* ]% m+ v$ l( \9 N" A% M, a% RReich - Six Pianos, Music for Mallet Instruments
% I s7 }9 K% v( ^ D5 W
- Steve Reich
0 R: Q2 d! G; j8 G V1 o( [; o1 x
% l' V3 C2 x, S I
CD 113
3 r3 y0 a' a1 [* W9 L8 a
Wien Modern: Ligeti, Rihm, Boulez, Nono
8 t5 @4 X+ ?& _
- Abbado
3 ]* I1 A$ G2 e& L- H/ s- e7 m
m( y% a) z6 y* c+ HCD 114
4 H" F/ ], @4 V M! S$ VGlass - Violin Concerto
, E3 D) S, F% S6 a; U% [
- Philip Glass, Gidon Kremer
$ ^$ q1 G) J+ z( G+ p) }! U2 H J; `. N
CD 115
8 l+ g" |5 g+ J, R
Invisible Connections
, @0 y- ~! t* Y, _2 C1 @7 H- Vangelis
" k, m, M% M' w s0 g Z
1 I7 v- _7 U, l! L9 fCD 116
* m% _: g* h5 r/ p O/ x6 F- K [; z
Recomposed
- r5 U! {! ]+ y: ^& F2 |- Max Richter
: j; \* E' J; G$ k5 v4 {
# N* b J9 G1 V5 JCD 117
# \& X& Q& U# \" p
Jóhannsson - Orphée
; Q( u# r' q; R, K
l2 C$ {, j5 X0 b4 {" }CD 118
1 g7 w- f& r" ^. sGoethe - Faust I
- t; u$ b$ H, [# [2 n1 N
- Gustaf Gründgens
0 ?( J- m8 h; a% @, ]1 l8 p7 U
3 L0 |, F1 l. G. FCD 119
' g" k* g/ e& z6 gGoethe - Faust II
* s' ]+ W. P. X" x- Gustaf Gründgens
' K5 }- F" V: K! v( R# `3 S5 j0 b
8 Z* @0 l* q9 L- `/ r
CD 120
( y; f4 ]: n- t# L
Prokofiev - Peter and the Wolf
. j2 u1 ^, l9 G( j
- Sting, Abbado
, Q$ @( n+ N' L) `
% p- Z& A6 @, O' B
CD 121
% t! E- Y8 f' u- U+ J/ Q"The years to come": Bonus CD with brand-new unreleased recordings
, { I# o' s% o- h: J& h; f" {( ^
* d$ d) a; K4 v3 d SDisc 122 (Blu-ray Audio)
2 ]4 c) @0 j7 Z" k7 r
Wagner - Der Ring des Nibelungen
f* c3 n% ? t5 E E
- Karajan
, g( f+ ~% ]3 X+ x' O# [
6 b! _) {! S7 e" Q" i
博客來購買連結：https://www.books.com.tw/products/0020208173' g# \/ v5 |4 P
. n J6 v+ b# [5 d進口代理：環球音樂
收藏
分享
支持
反對
