本帖最後由 bill 於 2015-6-18 18:59 編輯
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8 k2 r2 F" d+ W8 yMA ON SA MA 3小時精品測試碟 這張專輯是MA公司超長時間精選,共3小時(SACD層108分鐘,CD層73分鐘,曲目不同)。這張CD的價值有三:一、M.A唱片全部都是現場收音,而且使用的錄音器材極其簡單,可以拾取最自然的現場堂音空間感,以及最纯的樂器音質音色。二、M .A的錄音極容易被音響系统扭曲,因為它没加料,也不誇張,所以許多不平衡的音響系统會覺得不好聽。三、無論是樂器的演奏質感或人聲都很真實。基于這三 個原因,這張CD成為很好的測試CD。其實封面就是他們在錄音時所使用的二支無指向性麥克風。這張CD市面上已找不到片子,近日終於聽到MA ON SA。
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5 O; L- r" y. H4 N( {這忘進到找ˇ長張
( N' S9 Y/ e# U y專輯曲目:2 R/ o8 e7 b# F$ G' X
SACD層:
0 G- _# h* k6 U8 D& ITrack 1) M070A/Gitana, from "llama" by Silvia Perez Cruz & Ravid Goldschmidt: 88.2 kHz
* k( m" P7 G2 o3 `( XTrack 2) M071A/Improvisation on a Love Song, from "A Night in Budapest" by Kalman Olah and Friends: 88.2 kHz7 I/ q: f l4 q D& `
Track 3) M071A/Improvisation on a Love Song, from "A Night in Budapest" by Kalman Olah and Friends: 88.2 kHz
& i6 g( P/ K5 G& tTrack 4) M062A/Taquito Militar, from "La Segunda" by Sera Una Noche: 176.4 kHz
$ w, h$ w1 V' \5 bTrack 5) M069A/Prelude - Allemande - Sarabande, from Suite en La mineur, by Marin Marais, performed by Andrea De Carlo: 176.4 kHz
3 ^( |- n6 Y) f c6 xTrack 6) M068A/Variaciones sobre el "Carnaval de Venecia" de Niccolo Paganini by F. Tarrega, performed by Gzegorz Krawiez: 96 kHz
5 W! `! M/ k: b) MTrack 7) M049A/Passos, from "Almas" by Joao Paolo: 96 kHz+ @" i' x# V3 M4 m! _% x' k
Track 8) M044A/Ajde da li znaes pametis Milice, from "Krushevo" by Vlatko Stefanovski & Miroslav Tadic: 96 kHz
$ k+ Y5 ?6 H5 x% C3 K/ F( [2 B. fTrack 9) M052A/Malena, from "Sera una Noche" by Sera Una Noche: 96 kHz, S/ b% G H J) }9 h! f' Q
Track 10) M045A/Certeza, from "O Exilio" by Joao Paolo: 96 kHz9 C& W$ I* V) e( K( p _6 y! r
Track 11) M046A/Meu Amor deu um Lenco, from "Senhora da Lapa" by Maria Ana Bobone: 96 kHz5 d# L, g9 a' C0 q6 w4 A
Track 12) M026A/Murakkaz Ah Ya Muddasin, from "The Splendour of Al Andalus" by Calamus: 96 kHz( j- g P" `- N) W& `
Track 13) M025A/Noche Maravillosa, from "Salterio" by Begona Olavide: 96 kHz
7 M, Z4 d* G2 k; ZTrack 14) M043A/Terra Da Esperanca Perdida, from "Sete Ondas" by Mauro Refosco: 96 kHz1 Y$ v% X; Z4 d6 G8 K4 |! S/ h+ G
Track 15) M058A/Vitamin C, from "Old School" by Peter Epstein: 96 kHz% d$ M0 Z& b/ M3 {
Track 16) M029A/Jovano Jovanke, from "Old Country" by Miroslav Tadic & Howard Levy: 96 kHz
) W' z9 {+ P' ^" p0 [Track 17) M057A/Esquina, from "Esquina" by Joao Paolo & Peter Epstein: 96 kHz
W$ Q: F* k; vTrack 18) M047A/Solace from "Solus" by Peter Epstein: 96 kHz
% B. P: ]- C7 ^+ s: Q8 M1 RTrack 19) Chopin's Berceuse, performed by Gabriella Kafer at Belvarosi Szent Mihaly Templom, Budapest: 88.2 kHz (no release date for this recording)
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CD層: $ Q# G/ g4 f' F( P( P/ ?2 Q4 V
Track 1) M054A Bach: Prelude and Partita in E minor performed by Eduardo Eguez
+ i) q, _7 }9 f8 ^# CTrack 2) M063A Voglio de vita uscir from “Bueros Aires Madrigal” by La Chimera2 @. I& l# H$ ^" M8 d
Track 3) M061A Green Waist Dance Music from “Voice of the Papa” by Jiang Ting
6 _: v8 k9 s1 o7 x8 v6 b! qTrack 4) M060A Balanceanca Sofie Vicovcanca from “Departe de Casa” by Formatia Valea Mare* z! {* V: P& c- \5 j: e
Track 5) M064A Visee: Allemande grave from Suite in F played by Eduardo Eguez, s1 M0 s& V6 j6 V, s5 U' H) F+ p, e7 m
Track 6) M039A Bobone: Leve Breve Suave from “Luz Destino”! r0 j: e1 t! I/ g4 V1 e. o
Track 7) M042A La Manana de San Juan from “Mudejar”' I8 G- `) j- J* ]) f; `( s
Track 8) M048A Victimare Paschali Laudes from “Sous Les, Le Serpent….”
7 x" k9 e6 S, @3 Z$ sTrack 9) M027A Calcinatio Auri from “Still Light”
3 L" \) K) ^% p$ STrack 10) M041A In Your Voice from “Staring at the Sun”
8 K' L% |# T# J" v, XTrack 11) M055A Forro En Curuipe from “Music Journal”
& c3 C3 B9 h0 N" Z4 Y# PTrack 12) M065A Trio Inprovison from “Contrast + Parallels” by the Kalman Olah Trio6 T- R/ X4 D( J9 b y
Track 13) M053A Bach: Prelude in E flat Major from “Lute Music of J.S. Bach Vol. 1” performed by Eduardo Eguez[size=-1]
r; v: |* h/ E K專輯非常非常精彩,算是MA公司的「」了吧。一張專輯總共三小時(因SACD層和很CD層是不同曲目),
, \ S% ]" S8 y$ Y; V ]這張專輯非常非常精彩,算是MA公司的「了吧。一張專輯總共三小時(因SACD層和CD層是不同曲目),
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