MA ON SA精品測試碟

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  r5 b2 c; k  I3 o! K- lMA ON SA  MA 3小時精品測試碟  這張專輯是MA公司超長時間精選，共3小時(SACD層108分鐘，CD層73分鐘，曲目不同)。這張CD的價值有三：一、M.A唱片全部都是現場收音，而且使用的錄音器材極其簡單，可以拾取最自然的現場堂音空間感，以及最纯的樂器音質音色。二、M .A的錄音極容易被音響系统扭曲，因為它没加料，也不誇張，所以許多不平衡的音響系统會覺得不好聽。三、無論是樂器的演奏質感或人聲都很真實。基于這三 個原因，這張CD成為很好的測試CD。其實封面就是他們在錄音時所使用的二支無指向性麥克風。這張CD市面上已找不到片子，近日終於聽到MA ON   SA。
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, M6 f. X, q' l) D這忘進到找ˇ長張
! B( {' b  u! }7 z專輯曲目：
+ ~& ~+ }; V2 lSACD層：
" O  z, G" n3 a- d+ KTrack 1) M070A/Gitana, from "llama" by Silvia Perez Cruz & Ravid Goldschmidt: 88.2 kHz
Track 2) M071A/Improvisation on a Love Song, from "A Night in Budapest" by Kalman Olah and Friends: 88.2 kHz
/ s5 Z) u. q7 R0 y' N, A& mTrack 3) M071A/Improvisation on a Love Song, from "A Night in Budapest" by Kalman Olah and Friends: 88.2 kHz
Track 4) M062A/Taquito Militar, from "La Segunda" by Sera Una Noche: 176.4 kHz
0 r6 @7 F4 \6 \5 [' YTrack 5) M069A/Prelude - Allemande - Sarabande, from Suite en La mineur, by Marin Marais, performed by Andrea De Carlo: 176.4 kHz
Track 6) M068A/Variaciones sobre el "Carnaval de Venecia" de Niccolo Paganini by F. Tarrega, performed by Gzegorz Krawiez: 96 kHz
& L' _. J: |7 ^Track 7) M049A/Passos, from "Almas" by Joao Paolo: 96 kHz
8 G$ |3 R) E: V% NTrack 8) M044A/Ajde da li znaes pametis Milice, from "Krushevo" by Vlatko Stefanovski & Miroslav Tadic: 96 kHz
4 C3 B' n$ M3 x  I- q: S+ o' yTrack 9) M052A/Malena, from "Sera una Noche" by Sera Una Noche: 96 kHz
Track 10) M045A/Certeza, from "O Exilio" by Joao Paolo: 96 kHz
Track 11) M046A/Meu Amor deu um Lenco, from "Senhora da Lapa" by Maria Ana Bobone: 96 kHz
Track 12) M026A/Murakkaz Ah Ya Muddasin, from "The Splendour of Al Andalus" by Calamus: 96 kHz
1 v1 b* B- g* d4 L$ j1 ATrack 13) M025A/Noche Maravillosa, from "Salterio" by Begona Olavide: 96 kHz
Track 14) M043A/Terra Da Esperanca Perdida, from "Sete Ondas" by Mauro Refosco: 96 kHz
) t! j+ C6 ^7 E0 ~5 F/ ATrack 15) M058A/Vitamin C, from "Old School" by Peter Epstein: 96 kHz
Track 16) M029A/Jovano Jovanke, from "Old Country" by Miroslav Tadic & Howard Levy: 96 kHz
6 M8 ?- D6 y  z% e4 I: VTrack 17) M057A/Esquina, from "Esquina" by Joao Paolo & Peter Epstein: 96 kHz
+ m4 I2 g, |. O+ N# T  e. bTrack 18) M047A/Solace from "Solus" by Peter Epstein: 96 kHz
+ m1 O' S! p$ p6 L- M2 vTrack 19) Chopin's Berceuse, performed by Gabriella Kafer at Belvarosi Szent Mihaly Templom, Budapest: 88.2 kHz (no release date for this recording)
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' z& T) k9 U4 ^) ^/ wCD層：
Track 1) M054A Bach: Prelude and Partita in E minor performed by Eduardo Eguez
Track 2) M063A Voglio de vita uscir from “Bueros Aires Madrigal” by La Chimera
Track 3) M061A Green Waist Dance Music from “Voice of the Papa” by Jiang Ting
; v0 c5 t2 v2 FTrack 4) M060A Balanceanca Sofie Vicovcanca from “Departe de Casa” by Formatia Valea Mare
Track 5) M064A Visee: Allemande grave from Suite in F played by Eduardo Eguez
Track 6) M039A Bobone: Leve Breve Suave from “Luz Destino”
. \7 r2 e4 U9 `) J. K: DTrack 7) M042A La Manana de San Juan from “Mudejar”
  ]7 ?2 h& U1 m2 V: J: _Track 8) M048A Victimare Paschali Laudes from “Sous Les, Le Serpent….”
- t; Z0 W6 x% Q( hTrack 9) M027A Calcinatio Auri from “Still Light”
2 j, x; H' o+ _2 @% u' |Track 10) M041A In Your Voice from “Staring at the Sun”
; ?! J( V( x( B' ]Track 11) M055A Forro En Curuipe from “Music Journal”
Track 12) M065A Trio Inprovison from “Contrast + Parallels” by the Kalman Olah Trio
Track 13) M053A Bach: Prelude in E flat Major from “Lute Music of J.S. Bach Vol. 1” performed by Eduardo Eguez[size=-1]
專輯非常非常精彩，算是MA公司的「」了吧。一張專輯總共三小時(因SACD層和很CD層是不同曲目)，
+ d& K+ q' Y1 H, ]. E$ |# w這張專輯非常非常精彩，算是MA公司的「了吧。一張專輯總共三小時(因SACD層和CD層是不同曲目)，
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